Bring on the Madness of March

NCAAMarch is synonymous with madness. Spring temps get peoples blood pumping, the whiskey flows on St. Patrick’s Day, and all that contributes to the insanity of trying to predict who will win college basketball’s national championship.

One might think that after filling out brackets for 35-plus years a person would learn a thing or two, but the circumstances are never the same – especially these days when impact players rarely stick around for more than a single season.

This has brought an unheard of level of parity to college basketball.

It allows teams like George Mason, VCU and Butler to find their way to the rarefied air of the Final Four.

This feast or famine mentality also impacts entire teams – like what the University of Kentucky and its fans are experiencing this season.

The Kitty Kats went from winning the 2011-2012 title, to not even qualifying for the tournament this year.

Mercifully UK’s season came to a whimpering end Tuesday night in a 59-57 loss to an inspired Robert Morris team in the first round of the NIT.

The "Russdiculous" one, Louisville's fearless junior guard Russ Smith.

The “Russdiculous” one, Louisville’s fearless junior guard Russ Smith.

The hopes of the Bluegrass this time around rest with Rick Pitino and his mature-laden Louisville Cardinals.

This is one of those unique seasons where there really is no overwhelmingly power team that is head and shoulders above the others.

All season the Top 25 has been a constantly changing bumper car ride of teams winning and losing, especially in the top spots. No one has held the No. 1 ranking long.

At the moment Gonzaga has the honor, but its conference and schedule aren’t as strong as most schools from the power-conferences, which makes prognosticators question the Zag’s ability to make a deep run in the tournament.

It’s considerations like these that make filling out brackets for the “Big Dance” so amusing. All 67 games must be picked before the first ball is tossed into the air.

It’s quite the challenge to have teams that play in all manner of different conferences, with varying levels of competence, come together under a unified post-season where anything can happen.

It’s single elimination play, so those picking teams in the brackets don’t get the benefit of seeing if the real North Carolina team shows up, or Missouri recognizes they must take care of the ball; once the whistle sounds it’s game time. Teams must make adjustments on the fly or they go home.

It’s unforgiving, unpredictable and full of buzzer-beating upsets.

There is no experience or preparation that makes it easier to predict which teams will win the 8 seed vs. the 9 seed games: Colorado State/Missouri; Pitt/Wichita State; UNC/Villanova; and NC State/Temple.

Several of these teams have done well in the tournament before but that all goes out the window – no telling which is really stronger.

That will be the theme throughout the 2013 tournament. Since no team is stacked with talent, like Kentucky was last year, individual match-ups and styles will likely determine more outcomes than usual.

It’s hard picking against the top seeds because they’ve achieved a high level of success throughout the season, but statistically, only around 42 percent of the No. 1 seeds reach the Final Four. So picking the brackets becomes about leveraging favorites along with picking upsets, but without exposing yourself to unnecessary risk.

That is a delicate balance.

Louisville's senior guard Peyton Siva.

Louisville’s senior guard Peyton Siva.

These considerations make a pick like Louisville extremely attractive.

Yes they are a jump shooting team technically, but they are amazingly fast, defensively oriented, and can score the ball in transition, half-court or in the paint. They also are a deep team, and have senior leadership in guard Peyton Siva.

They are not without flaws. Sometimes Siva’s scoring disappears for entire games, or Russ Smith displays questionable decision making – but the Cardinals find ways to win.

I like how Louisville walks out on the court fearless. They know they are going to win. Now I wouldn’t recommend getting down 15 to anyone in this tournament like they did Saturday against Syracuse, but U of L didn’t rattle, and came out in the second half to outscore the Orangemen 40 to 10. That was impressive.

Indiana is a solid club as well, but Miami runs a pro offense, and if the Hurricanes can shoot like they did in the ACC final, they could send the Hoosiers home.

Kansas is another dangerous squad, peaking at the right time, but damn they have a hard road to travel.

Of the four No. 1 teams, that leaves Gonzaga, which has legit talent, a chip on its shoulder, and the easiest bracket in terms of advancement.

There are numerous early games that qualify as genuine head scratchers: OK State/Oregon; Creighton/Cincinnati; Wisconsin/Mississippi; Notre Dame/Iowa State; and UCLA/Minnesota.

My Final Four is: Louisville-Gonzaga-Michigan-Miami.

Louisville Cardinal's head basketball coach Rick Pitino

Louisville Cardinal’s head basketball coach Rick Pitino.

I’m hoping experience and speed is enough to earn Rick Pitino and Louisville a championship.

As for Kentucky, don’t shed any tears on their behalf. Wednesday the Wildcats received a commitment from power forward Julius Randle, all 6-foot-8, 240-pounds of him.

Randle, from Plano, Texas, was rated the No. 2 overall prospect in the country, and became the sixth McDonald’s All-American to commit to Kentucky. He joins “The Twins,” Andrew and Aaron Harrison, James Young, Dakari Johnson and Marcus Lee, along with Derek Willis.

Kentucky already had the No. 1-rated recruiting class before Randle committed. Now experts are talking about this being the best class in the history of college basketball.

After Kentucky’s loss Tuesday, current star freshmen, Archie Goodwin, Alex Poythress and Willie Cauley-Stein, all declared they would return next year, along with sophomores Kyle Wiltjer and Ryan Harrow.

Most likely freshman-of-the-year Nerlens Noel will forego the remainder of his college career. Even though he blew his knee out late in the season, Noel remains projected as a high NBA draft lottery pick, only slipping from No.1 overall to No. 3.

The scary thing about Kentucky is it remains in the running for Andrew Wiggins, the No. 1 high school recruit from Toronto.

With or without Wiggins, there is more than playful banter about going ahead and just giving the 2014 trophy to Kentucky, to save teams the time and trouble.

If I were Pitino, I would win with Louisville this year when the field is down, because he loses his triggerman in Siva, and there will be a Big Blue Monster back in Lexington come 2014.

Enjoy the Madness everyone!

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Corn and Shrimp Risotto on Tap for Birthday and Basketball

GabeIt was a big day at the Langley-Wilson household Saturday. In addition to Louisville playing for the Big East title (Wow what a comeback win!), it was also the birthday of Maia’s oldest son Gabriel.

It was the big 1-0. You only go from single digits to doubles once, so a celebration was in order.

It was going to be a full house, as cousins, grandparents, aunts and uncles would be in attendance for Gabe’s birthday party.

I was cooking for 15, so I wanted to come up with something that I could assemble en masse, instead of cooking individually, where I might have to monitor 15 different meals.

After floating a couple recipes past the birthday boy we settled on Sweet Corn and Shrimp Risotto.

With temps in the mid-60s Saturday, it was a beautiful spring day, and felt all the better considering most of the week had been dreary and cold. It was the perfect day to break out some seafood and act like summer had arrived.

Some of this meal could have been prepped the night before and it would have made my life easier, but procrastination ruled, which meant I had a full day of cooking ahead of me.

I figured I better set up an appetizer to appease the natives if dinner ran late, so I stayed with the shrimp theme, and took a shot at making shrimp toast. This is one of my favorite Thai appetizers – but I’ve never attempted it.

I also wanted a bread element, so I did some French Gougères (pronounced goo-SHARE). These are essentially drop biscuits infused with cheese.

It was a fine day for one of my favorite New Orleans lagers - Dixie goes great with seafood.

This New Orleans lager is one of my favorites, and goes great with seafood.

I hit Kroger around noon, and was able to secure all my ingredients. I thought I might have to use frozen corn, but there were 4-packs of shucked sweet corn, unfrozen, in the produce aisle for $4. I hate to think about the carbon footprint on fresh corn being available this time of year in Kentucky…

Since all of Kroger’s shrimp was frozen I went with the Gulf shrimp. It has more flavor, but means I was peeling and deveining four pounds of shrimp.

Then I hit Lowe’s for some party supplies, Red Dot, twice, for liquor and such, before finally getting into my kitchen around 3:00 p.m.

Now guests were arriving at 4:30, so I needed to boogie, and fast.

First things first, I needed tunes. I like to cook with music on, particularly New Orleans music, so I chose a Preservation Hall Brass Band mix to get the mood right.

[LEROY JONES | WHOOPIN’ BLUES]

I had been drinking coffee since I got up and was staying with that until the pot was empty.

Next I called my mom, because that’s what a boy does when he’s in a pinch.

She brought over her sweet Cuisinart food processor.

There was no way I was going to get this done alone in time, so I put mom to work.

First I wanted to prep the Grilled Sweet Corn & Shrimp Risotto recipe:

4 ears sweet corn; 6 cups chicken broth; 1 1/2 pounds shrimp (shelled and deveined); 1 teaspoon grated lemon rind; 1/4 teaspoon salt; 1/4 teaspoon pepper; 4 tablespoons butter; 2 cups chopped onion; 1 leek (white part only, quartered lengthwise and sliced); 3 cups Arborio rice; 1 cup white wine; 1/2 cup sliced scallions; 1 tablespoon chopped fresh basil; 1 tablespoon sliced chives.

Dad and my baby girl.

Dad and my baby girl.

[The above amounts are for a single batch; I was making double in two separate pans.]

Pour all the chicken broth into a medium saucepan; bring to a boil, then reduce heat to low to keep broth warm.

I chose to pan fry the corn; place ears in a covered pot with enough olive oil to coat the bottom of the pan; season with a few shakes of salt & pepper; cook about 12 minutes over medium heat, turning the ears occasionally as they brown.

Get the onions, leek, scallions and chives chopped while the corn cooks.

Set the corn aside to cool. We shelled all the shrimp next.

[The above items could all be done the day before if you want to speed up preparation on cooking day.]

Cut the corn off the ears and set aside (don’t be tempted to use frozen or canned corn, it doesn’t have nearly the flavor of fresh sweet corn cut from the cob).

Toss shrimp in a bowl with the lemon rind, salt and pepper. In a large, deep pan or Dutch oven, melt 2 tablespoons of butter. Add shrimp; cook and stir just until pink, about 3 minutes; remove to a bowl and reserve.

In the same pan, melt remaining 2 tablespoons butter. Add onion and leek; cook for 5 minutes until tender.

Add rice; stir until combined and rice is hot. Add wine; cook and stir until the wine has almost evaporated, 5 minutes or so.

Add 1 cup of the warm broth. Cook and stir continuously until the liquid is absorbed, and gradually incorporate the remaining 5 cups, until the rice is tender and creamy. It will take between 15 minutes and a half hour.

The finished product: Sweet Corn & Shrimp Risotto.

The finished product: Sweet Corn & Shrimp Risotto.

If additional liquid is needed, add 2 tablespoons water at a time until creamy.

One twist to this meal was Maia’s little sister, Meg, had recently developed an adverse reaction to shrimp, which I didn’t know until she arrived at the house. So I continued to prepare the risotto, right up until the shrimp was added. I pulled out 1/3 of one batch and cooked 1 pound of chicken breast to supplement.

My mom and I were having a blast in the kitchen, so we took our time with the cooking, told stories, laughed, and sipped wine along the way, stopping to take in some birthday festivities, and play with my 11-month old baby, Isabella.

I switched music and went with one of my favorite Iowa guys, William Elliott Whitmore, and his CD “Ashes To Dust.” There is a stark antiquity to Will that fit our work in the kitchen.

[WILLIAM ELLIOTT WHITMORE | WHEN PUSH COMES TO LOVE]

We kept the beer and wine flowing to make sure all were happy, then jumped on getting appetizers out while the broth was being absorbed into the risotto.

Baked Sesame Shrimp Toast:

32 diagonally sliced 1/2 inch thick baguette slices; olive oil; 1/2 pound raw shrimp, peeled and deveined; 1 large egg white; 2 1/2 teaspoons sake; 2 teaspoons finely grated fresh ginger; 1 large garlic clove minced; 1 1/2 teaspoons hot sauce; 1 1/2 teaspoons toasted sesame oil, divided; heaping 1/4 teaspoon kosher salt; 1/4 teaspoon  sugar; 4-oz can water chestnuts finely chopped; 2 scallions (about 1/4 cup); 1/4 cup mayonnaise; 2 teaspoons sesame seeds.

Heat oven to 400 degrees.

Isabella was all about my Beck's Sapphire.

Isabella was all about my Beck’s Sapphire.

Cut approximately 32 slices from a fresh baguette. On a rimmed baking sheet, arrange the slices in a single layer. Brush the top side with olive oil lightly and place into the oven on the center rack for 4 minutes. Remove from the oven and turn over each slice, then set aside.

Reduce heat to 350 degrees.

In a food processor, combine the shrimp, egg white, sake, ginger, garlic, hot sauce, 1/2 teaspoon of sesame oil; salt; and sugar. Puree until smooth. Transfer to a bowl and add the chopped water chestnuts and scallions.

In a small bowl stir together the mayonnaise and remaining 1 teaspoon of sesame oil.

Mound a rounded tablespoon of the shrimp mixture on top of each toast and spread evenly over the toast. Brush the top of each mound with some of the mayonnaise mixture, then sprinkle with sesame seeds. Bake on the oven’s middle shelf for 12 to 14 minutes, or until the shrimp mixture is just cooked through. Serve hot.

Almost done now, time to amp up the music a touch – bring on the Widespread Panic.

[WIDESPREAD PANIC | FROM THE CRADLE]

The risotto needed a minute more, so I prepped the Gougères:

1 cup grated Swiss or Gruyere cheese; 1 cup water; 5 tablespoons butter; 1 teaspoon salt; 1/4 teaspoon ground pepper; 1/4 teaspoon ground nutmeg; 1 cup all-purpose flour; 4 eggs (room temperature).

Preheat oven to 425 degrees. In a medium saucepan bring the water, butter, salt, pepper and nutmeg to a boil. When the butter is melted remove from heat.

Slowly add flour to the butter/water mixture; beat with a wooden spoon until mixture leaves pan sides clean.

Add cheese and beat until incorporated. Beat in 3 of the eggs one by one, until thoroughly absorbed. Add extra flour if necessary. Beat until mixture is smooth, shiny and firm.

Drop by small spoonfuls onto a greased cookie sheet. Beat remaining egg with 1/2 tablespoon water, then brush tops of uncooked puffs with egg wash.

Bake in upper third of the oven for about 20 minutes or until golden and doubled in size. The recipe should make 18 to 24.

As this baked I went back to my risotto and stirred in the corn kernels, shrimp and scallions; cooked that until items were reheated. Season with salt and pepper if needed.

This will make 8 to 10 servings; divide equally, and garnish with basil and chives.

And then we were finished. “Let the wine flow!”

You know it wasn't a Wilson party when for after-birthday fun Geometry problems were part of the festivities.

Solving for X was not exactly my idea of after-cake fun.

It was just after 7:00 p.m. when everyone was served and happy.

The shrimp toast was amazing! I wish I had made a double batch. Next time I might double the shrimp content as an experiment and make them more decadent.

The risotto was like butter. The sweetness from the corn mixed beautifully with the shrimp. It went perfectly with a glass of Pinot Grigio or Sauvignon Blanc.

And the timing was perfect because everyone had a chance to eat, we did birthday cake and candles – then the Louisville game tipped.

Go Cards!

Thanks MOM!

Thanks MAIA!

Happy Birthday Gabriel!

The Llama and Peanut blowing down with some basketball after a long day of cooking.

The Llama and Peanut blowing down with some basketball after a long day of cooking.

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The Rand Paul Rant

Tea Party loyalist Sen. Rand Paul (R-Ky.), during his filibuster.

Tea Party loyalist Sen. Rand Paul (R-Ky.), during his filibuster.

I guess I will join the chorus of those applauding Sen. Rand Paul (R-Ky.), for his nearly 13 hour rant on the floor of the U.S. Senate in an effort to delay the confirmation of John Brennan as the new CIA director.

Supposedly Sen. Paul has presidential aspirations for 2016.

My thought is the more this loose cannon is allowed to talk the earlier he can be eliminated from contention.

To Sen. Paul’s credit I do agree that a national conversation needs to be had on the U.S. government’s drone policy. There is not enough transparency currently to tell if these devices are being used properly.

I appreciate the threat of an imminent terrorist attack, and that certain elements of due process might be suspended under exigent circumstances, but the definition of “imminent” and “exigent” are subjective.

It’s in the best interest of the military, intelligence community and political establishments to keep fear active in the civilian population.

Fear means fewer questions get asked about what the military is up to and why. It keeps budget money flowing, and makes constituencies more easily controllable – so there is good reason to have a discussion about our government’s drone program.

That is the cover Rand Paul used to stage his filibuster, but not why he did it.

This was about doing some grandstanding, and showing off the plumage on his Tea Party tail feathers.

By taking some action, Paul appears like more of a serious player, and perhaps elevated himself into the position of lead spokesperson for the Tea Party movement.

I’ll give the man credit, Sen. Paul had the gumption to go out there and talk till he was blue in the face.

But his credibility waned once he revealed the premise of this maneuver was to ascertain, in all seriousness, whether President Obama was looking at using drone strikes over U.S. soil against Americans that didn’t pose an imminent threat.

Mind you there was no evidence that this type of policy was being considered, but Paul knew this line of argument would get a warm response from the “black helicopter” conspiracy theorist-crowd in the far right-wing of the Republican Party.

It should be noted that it’s not President Obama pushing for drone usage domestically; instead it’s individual state-based law enforcement agencies that are petitioning to start their own drone programs.

Certainly there are legitimate uses for drones domestically, especially to send in to dangerous situations instead of risking the lives of police officers, but questions surrounding privacy issues and other constitutional violations that could occur unintentionally remain unanswered.

The funny thing about Sen. Paul’s filibuster is that Democrats really didn’t need to respond to his inquiries, the senator’s own rhetoric was more damaging to himself and the Tea Party than anything they could offer.

Actually it was other Republicans who were Paul’s harshest critics.

Sen. Lindsey Graham (R-S.C.), and Sen. John McCain (R-Ariz.), both mainline Republicans, military hawks, and conservatives, considered Paul’s conspiracy theories ridiculous.

“We’ve done, I think, a disservice to a lot of American by making them think that somehow they’re in danger from their government,” Sen. McCain said. “They’re not.”

Experts in drone policy said the remarks by Paul showed an obvious misunderstanding of the president’s drone policy.

This all started when Sen. Paul asked Attorney General Eric Holder if the president has the power to authorize lethal force, such as a drone strike, against a U.S. citizen on U.S. soil.

Of course he does, if it is in the interest of ensuring the safety of America.

Look at Sept. 11, 2001. Under exigent circumstances President George W. Bush was authorized to order military jets to shoot down commercial airliners full of innocent Americans over U.S. soil.

“To my Republican colleagues, I don’t remember any of you coming down here suggesting that President (George W.) Bush was going to kill anybody with a drone,” said Sen. Graham. “They had a drone program back then.”

This is what annoyed me about Sen. Paul’s rant – I’m just tired of stupid. We had a lot of that under George W. Bush, with Dick Cheney, Donald Rumsfeld and Paul Wolfowitz.

They sunk our country into a historic recession with their bungled wars in Afghanistan and Iraq, trickle-down economics, tax cuts, objectification of the middle class, and general paranoia politics.

I don’t want to go back to that.

We voted on this in 2012, and rejected guys like Mitt Romney (R-Mass.), Paul Ryan (R-Wis.), Todd Akin (R-Mo.), and Richard Mourdock (R-Ind.), who all espoused discriminative politics and fear mongering.

Anyone giving Rand Paul credit for his pandering is rewarding poor behavior, and sanctioning further conspiratorial politics.

Unfortunately it’s not possible to simply look away and not take these fools seriously, because they will scare people into following them.

Attorney General Holder sent a dismissive letter to Sen. Paul in response to his filibuster stating, “It has come to my attention that you have now asked an additional question: ‘Does the president have the authority to use a weaponized drone to kill an American not engaged in combat on American soil?’ The answer to that question is no.”

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SHOWTIME UPDATE

Animal CollectiveSHOW ALERT:

* Animal Collective w/Dan Deacon @ Madison Theater in Covington TONIGHT

* Tyler the Creator is throwing down @ Newport Music Hall in Columbus TONIGHT

* Django Django @ Newport Music Hall in Columbus WEDNESDAY

* Todd Snider @ The Vogue in Indianapolis THURSDAY

* Better Than Ezra @ The Cannery Ballroom in Nashville THURSDAY

* Alt-J @ The Cannery Ballroom in Nashville MONDAY

* Alt-J @ Headliners in Louisville TUESDAY

* The Breeders announced a show @ Southgate House in Newport for March 27

* FORECASTLE LINEUP IS OUT!

CHECK OUT COMPLETE LISTINGS UNDER THE TAB: LlamaShows

LOUISVILLE, KY

BROWN THEATRE | 315 W. Broadway | Louisville, KY | 502-584-7777

Grizzly Bear w/Owen Pallett | Mon. Apr. 01 | $30 adv-$35 dos | 20:00 | All Ages

Jim James | Wed. Apr. 17 | $31 | 20:00

*     *     *     *     *

THE FORCASTLE FESTIVAL | Fri. Jul. 12-Sun. Jul. 14 | $165 (3-Day Pass)

The Black Keys; The Avett Brothers; String Cheese Incident; Flaming Lips; The Alabama Shakes; Jim James; Animal Collective; Grace Potter & The Nocturnals; Old Crow Medicine Show; Bob Mould Band; Big Boi; Sharon Jones and the Dap Kings; Dawes; Purity Ring; The Joy Formidable; EL-P & Killer Mike; Moon Taxi…

*     *     *     *     *

HEADLINERS MUSIC HALL | 1386 Lexington Road | Louisville, KY |502-584-8088

Milo Greene w/Kopecky Family Band | Sat. Mar. 16 | $12 | Doors 20:00-Show 21:00

Atl-J w/Hundred Waters | Tue. Mar. 19 | $14 | Doors 20:00 | 18+

Frightened Rabbit | Wen. Mar. 27 | $13 adv-$15 dos | Doors 20:00

*     *     *     *     *

THE KENTUCKY CENTER | 501 West Main Street | 502-562-0100

Indigo Girls | Whitney Hall | Sat. Mar. 30 | $20 | 20:00

David Sedaris | Whitney Hall | Thu. Apr. 18 | $39.50 | 19:30

*     *     *     *     *

LOUISVILLE PALACE | 625 S. 4th St. | Louisville, KY |502-583-4555

Mike Tyson: Undisputed Truth | Sat. Mar. 23 | $29.50-$89.50 | 20:00

Leonard Cohen | Sat. Mar. 30 | $49.50-$252.50 | 20:00

Widespread Panic | Tue. Apr. 16 | $39.75-$50 | 19:30

Widespread Panic | Wed. Apr. 17 | $39.75-$50 | 19:30

*     *     *     *     *

CINCINNATI, OH

BOGART’S | 2621 Vine Street | Cincinnati, OH | 513-872-8801

Scott Weiland (Stone Temple Pilots) | Fri. Mar. 22 | $25 | 20:00

Beach House | Wed. Apr. 24 | $25 | 20:00

*     *     *     *     *

MADISON THEATER | 730 Madison Avenue | Covington, KY | 859-491-2444

Animal Collective w/Dan Deacon | Tue. Mar. 12 | $25 | Doors 19:00-Show 20:00

Victor Wooten | Fri. Apr. 19 | $20 | Doors 19:00-Show 20:00

*     *     *     *     *

THE SOUTHGATE HOUSE REVIVAL | 111 E. 6th Street | Newport, KY | 859-431-2201

The Breeders | Wed. Mar. 27 | $8 adv-$10 dos

*     *     *     *     *

TAFT THEATER | 317 E. 5th Street | Cincinnati, OH | 513-232-6220

JEFF The Brotherhood | Mon. Apr. 01 | $12 adv-$15 dos | Doors 19:30-Show 20:30

Divine Fits | Tue. Apr. 02 | $19 adv – $22 dos

Dwight Yoakam | Sat. Apr. 06 | $32.50 – $55.50

March Fourth Marching Band (M4) | Tue. Apr. 09 | $12 adv – $15 dos

*     *     *     *     *

20TH CENTURY THEATER | 3021 Madison Road | Cincinnati, OH | 513-731-8000

Richard Thompson Electric Trio | Thu. Apr. 11 | $30 – $40

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COLUMBUS, OH

THE BASEMENT | 391 Neil Avenue | Columbus, OH | 614-461-5483

WAVVES w/Fidlar | Tue. Apr. 02 | $15 adv-$17 dos | GA | 19:00 | All Ages

*     *     *     *     *

LC PAVILION | 405 Neil Avenue | Columbus, OH | 614-461-5483

Alt-J, Little Green Cars | Sat. Mar. 30 | $5 | GA | Doors @ 17:00

The Joy Formidable | Sat. Apr. 06 | $5

*     *     *     *     *

NEWPORT MUSIC HALL | 1722 N. High Street | Columbus, OH | 614-294-1659

Tyler the Creator | Tue. Mar. 12 | $20 adv-$25 dos | GA | Doors @ 1900

Django Django | Wen. Mar. 13 | $5 | GA | 19:00

Cold War Kids | Tue. Apr. 09 | $20 adv-$22 dos | GA | 19:00

*     *     *     *     *

INDIANAPOLIS, IN

THE VOGUE | 6259 N. College Avenue | Indianapolis, IN | 317-259-7029

Todd Snider w/Chicago Farmer | Thu. Mar. 14 | $22-$25 | Doors 19:00-Show 20:00

Paul Van Dyk | Thu. Mar. 21 | $20

Galactic w/Nigel Hall | Thu. Arp. 04 | $20 adv-$22 dos | Doors 19:00-Show 20:00

The Joy Formidable | Sun. Apr. 07 | $16-$18 | Doors 19:00-Show 20:00

*     *     *     *     *

RADIO RADIO | 1119 E. Prospect Street | Indianapolis, IN | 317-955-0995

Milo Greene w/Kopecky Family Band | Thu. Mar. 21 | $12 | Doors 20:00-Show 21:00

JEFF the Brotherhood | Thu. Mar. 28 | $12-$15

*     *     *     *     *

NASHVILLE, TN

THE CANNERY BALLROOM | One Cannery Row | Nashville, TN | 615-251-3020

Better Than Ezra | Thu. Mar. 14 | $40 adv-$50 dos | Doors @ 19:00

Alt-J | Mon. Mar. 18 | $15 adv-$17 dos | Doors 20:00-Show 21:00

*     *     *     *     *

TICKET LINKS

Live Nation

StubHub

TicketMaster

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Louisville’s 2013 Forecastle Festival Lineup Announced

ForecastleThis cold weather stuff can leave anytime, but until then I will settle for warm thoughts, and the arrival of artists who are scheduled to play at the 2013 Forecastle festival in Louisville, Ky.

The big headliner is The Black Keys. This power duo from Akron, Ohio has been touring for over a decade straight and hit superstardom with their last three discs.

“El Camino,” which was released in 2011, won three Grammy Awards this year, and has reached platinum status in sales. Dan Auerbach on guitar and Patrick Carney on drums are such a good time live. Expect them to bring a few friends along this time to fill out their sound.

They last played Louisville in 2009, at Forecastle, but had yet to hit headlining status.

The schedule for which acts play on which days and exact times isn’t out yet, but expect The Black Keys to be the Saturday night headliner.

Prepare for the confetti onslaught, megaphones and all manner of strangeness with the Flaming Lips.

Everybody is a participant at a Flaming Lips show.

The other top-line performers are the Flaming Lips, The String Cheese Incident and the Avett Brothers.

The Flaming Lips are well accustomed to throwing big parties, and will have confetti blowing, video vaginas and people in animal costumes. This psychedelic outfit from Oklahoma City is celebrating its 30-year anniversary. You will be surprised how many songs you recognize them play, but didn’t know it was the Flaming Lips.

I’m split on these last two. The Avett Brothers, from Concord, NC, bring some punk attitude to otherwise bluegrass/Americana music. It takes on a vibrant energy in their hands, and is full of emotion. But there are times it will slow down and folk out.

The String Cheese Incident, from Telluride, Colo., is celebrating its 20th anniversary in 2013, and combines elements of bluegrass, with rock, electronica, calypso and funk. They are card-carrying members of the Grateful Dead clan – this will get jammy and trippy. There is sure to be a hippy contingent around this set, but the patchouli probably smells a bit fresher these days.

The String Cheese Incident also will play a late-night show at the Louisville Palace on July 13 that will be part of the festival, but is ticketed separately. If you are looking for tricks and treats, this will be a good spot to find some.

The String Cheese Incident returns Sunday to the fest under the name The Forecastle Incident, which is billed as a one-of-a-kind performance and promises special guests.

The Alabama Shakes.

The Alabama Shakes.

Actually the band I’m most interested in checking out is the Alabama Shakes, from Athens, Ala. They come into this summer with a ton of positive buzz and several Grammy nominations for best new artist and such.

Guitarist and singer, Brittany Howard, has a deep, soulful voice, which brings a sense of gospel to her band’s gritty, rhythm and blues rock sound.

Jim James is also on the lineup, from Louisville’s own My Morning Jacket. His new solo disc is earning well-deserved critical accolades. He is touring in smaller theaters mostly, where I expect he plays a quieter show, but for this hometown stop I expect the volume level to rise and for some special guests to drop by and add a few surprises.

Other notable acts include Animal Collective, who are psychedelic explorers; Old Crow Medicine Show will combine their bluegrass picking with some rock-n-roll ferocity; Grace Potter and the Nocturnals can seriously throw down, and she is H-O-T; Purity Ring has the XX-sound, and will be strange; and I highly recommend Sharon Jones and the Dap Kings – they are a rhythm and blues explosion.

[FORECASTLE | JULY 12-14 | WATERFRONT PARK]

Forecastle is the brainchild of JK McKnight, who started this little experiment in 2002, with 75 people in attendance. Now Forecastle is all grown up, drawing over 30,000 people.

Rolling Stone magazine selected Forecastle as one of the “Top 33 Coolest Festivals,” and Outside Magazine placed it in its “Top 15 Festivals in the Country.”

This isn’t on the scale of Coachella, Jazz Fest, Bonnaroo, Lollapalooza, or Austin City Limits, but it’s not trying to be either.

Forecastle 4The exciting part about what Forecastle offers is Louisville and Lexington remain too conservative, even with two large public universities, to pull many of these types of alternative bands individually.

Kentucky is a black hole for alternative music. Most of these acts can be found playing just outside the Bluegrass state’s borders.

Sadly, this is Bon Jovi and Taylor Swift country.

Forecastle functions like a music collective. It packages these bands that otherwise wouldn’t play here and offers them together over three days at a fair price.

This brings a motivated alternative and indie crowd to Waterfront Park to take in Forecastle’s solid-slate of national-level talent. What is unique is this is a mid-sized venue, so audiences can cut loose and still remain engaged with the artists on the stage.

Tickets started at $100 at the beginning of the year, which is a great deal. Currently a general admission 3-day pass is running $165, and VIP-passes are $475.

It would have been sweet to grab some of those $100 passes earlier, but Forecastle remains a bargain for three days of fun, music and adventure right here in my backyard.

[THE FORECASTLE FESTIVAL]

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Chicken & Waffles

Waffles

I got all Deep South last night in my Kentucky kitchen, and cooked up a mess of Chicken & Waffles to sooth my savage soul.

The 8 and 9-year-old boys in the house found this to be quite amusing. They were perplexed by this dinner option, questioning me on what we were really having.

I was told you can’t have chicken, like you know, chicken, which is dinner food – with waffles. Those are for breakfast.

Well put, but not true.

Kentucky is a border state, and while it has certain Southern sensibilities, they are tempered by its northern neighbors of Indiana, Ohio and Illinois – so a dish like Chicken & Waffles isn’t something you see up this way.

Now you don’t have to go much further south to get in the proper neighborhood. Tennessee will do. Nashville has plenty of quality spots for Chicken & Waffles; Memphis serves them up as well.

This dish emanates from a soul food tradition.

There are two camps of thought on how one can go about fixing Chicken & Waffles.

The traditional version is basically combining breakfast and dinner. Fried chicken is prepared, along with waffles, including butter and syrup, and you eat it all together.

While this may sound odd at first, really, waffles are a heavy breakfast food anyway, and this simply mixes savory with sweet.

The version I chose to pursue was a bit more nuanced.

Baked Chicken with Waffles and Gravy

Ingredients: 1 tablespoon olive oil; two 4-ounce containers sliced button mushrooms; 2 medium yellow onions, diced; 2 cloves garlic, minced; 1/4 cup white wine; 3/4 cup heavy cream; Salt and ground black pepper; 4 waffles; and 2 pounds of pulled chicken meat.

A rotisserie chicken can be substituted if expediency is an issue, but I selected a 6-pound whole chicken, so I could fix this recipe and have a bunch of chicken left over for something else.

Here is a look at the finished product.

Here is a look at the finished product.

Wash off the chicken and rub lightly with olive oil, smearing a tablespoon of salted butter across its top, then season with onion powder, garlic powder, crushed oregano, smoked paprika, celery salt, season salt and pepper. I also chopped up a whole onion and added it to the bottom of the pan.

Place the chicken in the oven for around 80 minutes at 375 degrees (use a thermometer and when the internal temp reaches 180 pull the sucker). Place foil over the top for the first hour, to prevent blackening the skin, then remove foil to crisp it up.

For the sauce: In a large skillet heat olive oil over medium-heat; add the onions first and sauté for 5 minutes; then garlic and mushrooms; continue cooking until mushrooms are browned and the pan is nearly dry, around another 5 minutes; pour in the wine and wait for it to evaporate; add the cream and bring to a simmer to reduce; season with salt and pepper and set aside.

Once the chicken is about done prep the waffles. Again, you can substitute frozen waffles for ease, but that is sacrilege. I broke out the Hamilton Beach waffle iron we picked up at a yard sale, and mixed the batter from a Hungry Jack Complete (extra light and fluffy) pancake and waffle mix. I brushed vegetable oil on both sides of the iron to minimize sticking, and made up several 4.5″ by 5″ waffles, golden brown, about three minutes each did the trick.

In between the waffles cooking, strip the chicken once it has cooled. I rendered all the meat from the legs, wings and a partial breast for this recipe. The legs and wings are bit more flavorful and naturally moist, then some white meat can be added for density purposes. I chopped the meat into roughly bit-sized squares, placed it back into a ceramic bowl, and poured three or four tablespoons of the drippings from the pan over the top and mixed it around. Decrease the oven temp to its lowest setting, cover bowl, and place in oven to keep warm.

My 11-month old, Isabella, who is nicknamed Waffles, gave this dish her stamp of approval.

My 11-month old, Isabella, who is nicknamed Waffles, gave this dish her stamp of approval.

If too much liquid remains in your sauce, sprinkle in a tablespoon of flour to thicken it up. I also added a bit more wine for my personal taste until I reached a happy consistency. A touch of water can help if it gets too thick as well.

Place one waffle on each plate, and top with a heap of warm chicken, then spoon ample mushroom gravy over it all and serve.

The texture in the waffle is an excellent vehicle for the chicken and gravy. It has a golden crispness that lends a subtle buttery flavor that isn’t too pronounced or heavy. It all mixes together beautifully.

If you want some down home comfort food, Chicken & Waffles is just the trick.

Cheers!

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Still Dead and Still Dreaming, Jimi Hendrix Releases New Disc

HendrixJimi Hendrix remains alive and well, especially for a man who died 42 years ago.

On Tuesday his estate released, “People, Hell and Angels,” a new Hendrix CD featuring 12 previously unreleased tracks, though a few of these have come out in slightly different versions before.

That by itself isn’t spectacularly surprising. There have been 11 other posthumously released Hendrix discs starting with “The Cry of Love” in 1971.

The difference here is these are not some excerpts from random jam sessions. Hendrix consciously put these songs together in recording sessions between 1968 and 1969, as a planned follow-up to his last studio album “Electric Ladyland.”

The Experience, from left, XXX, Hendrix and <<<.

The Experience, from left, drummer Mitch Mitchell, Hendrix and bassist Noel Redding.

After the huge success of his first three albums, Hendrix wanted to take his sound and branch out from what had become a confining situation playing along with Mitch Mitchell and Noel Redding in the Experience.

It should be remembered that after Jimi was discharged from the Army in 1962, and his development as a professional musician became obvious, he played on the Chitlin’ Circuit before going solo and achieving super-stardom.

This was the term given to the loose affiliation of dive clubs and bars in the Deep South, where many prominent African-American musicians cut their teeth performing.

Between 1962 and 1966, Hendrix was in the back-up bands for acts like Wilson Pickett, Sam Cooke and Jackie Wilson. He also was guitarist for the Isley Brothers, Ike and Tina Turner and Little Richard, so Hendrix had a solid upbringing in rhythm & blues and early rock-n-roll.

[Jimi Hendrix – Hear My Train A Comin’ Jam]

But Hendrix was a force of nature that could not be contained. These early bandleaders were extremely restrictive, especially in the South. African-Americans still didn’t enjoy full social freedoms by any means, but one thing they could control was how their bands were run.

Hendrix, far left, in LIttle Richard's band.

Hendrix, far left, in LIttle Richard’s band.

Make no mistake, the guy fronting the band made the lion’s share of the profits. He wanted the backing band to show up at very particular times, wear cheesy uniforms, travel on breakneck schedules, and play the songs precisely how they were recorded for as little compensation as possible.

As you can imagine this didn’t sit well with Hendrix. He caught a lot of grief for blowing out his guitar solos and improvising when playing live – which would take a bit of the spotlight away from the bandleader.

That being said, Hendrix took away from his time on the Chitlin’ Circuit a huge repertoire of rhythm and blues chops.

This new album was originally intended to be titled “First Rays of the New Rising Sun,” prior to Hendrix’s death from an accidental barbiturate overdose on September 18, 1970, but that title ended up getting used on a 1997 release that included a couple different versions of these same songs.

Band of Gypsys, from left Buddy Miles, Hendrix and Billy Cox.

Band of Gypsys, from left drummer Buddy Miles, Hendrix and bassist Billy Cox.

The majority of “People, Hell and Angels” was cut with his Band of Gypsys lineup that came together in 1968 during the escalation of the Vietnam War and the Civil Rights Movement. It features Billy Cox on bass, a buddy of Hendrix’s from the Army, and Buddy Miles on drums (formerly with Wilson Pickett and the Electric Flag).

Hendrix re-emerged with a sound that mixed 1960s era rock-n-roll, with psychedelic experimentation, that was tempered with a slowed down rhythm and blues flavor.

It’s bizarre, but the initial single released from “People, Hell and Angels” entitled “Somewhere” went straight to No. 1 on the Billboard Hot singles chart in February 2013.

[Jimi Hendrix – Somewhere]

Engineer Eddie Kramer, who recorded most of Hendrix’s music during his lifetime, is behind the boards again here, and has indicated this will be the last Hendrix album to feature unreleased studio material. Although several additional live recordings will be coming out in the years to come.

These tracks on “People, Hell and Angels” may be 45 years old, but all the Hendrix masters were recorded on analog tape, so the sound quality is pristine.

Hendrix 5A couple of the highlights include “Somewhere,” which has Hendrix teaming up with Stephen Stills; there is an angry version of “Hear My Train A Comin’,” that is sizzling; “Let Me Move You” doesn’t exactly fit this set, as it is a soul jam that is sung by sax player Lonnie Youngblood, but it does give a good idea of what it might have been like to have Jimi in your band, as his lead guitar is way out front and unmistakable; and “Inside Out” is a driving instrumental that originally only had Jimi and Mitch Mitchell playing together, but then Hendrix added a guitar and bass overdub. It’s hot.

These aren’t some tie-dyed tunes that are attempting to relive the 1960s. Hendrix was so far ahead of everyone else, this stuff remains cutting edge.

I grew up listening to him a lot, so over the last 20 years I’ve gotten away from his music.

I just got burned out.

But when you put on a Hendrix disc and listen with a critical ear to the sonic experimentation this guy was into, and what he was able to achieve with inferior technology – it’s mind blowing.

There continues to be nobody that sounds like Jimi Hendrix.

I went back and threw on “Blue Wild Angel,” which is the production version of Hendrix playing the Isle of Wight Festival in 1970, with Mitch Mitchell and Billy Cox.

They rip into “God Save The Queen” followed by “Sgt. Pepper’s Lonely Hearts Club Band” before a British audience numbering 600,000. It’s an epic performance by a God.

[Jimi Hendrix – Inside Out]

Part of the Hendrix legacy is that there were no guitar solos before him. He is the guy, along with Eric Clapton, that put the rock guitar out front and scorched history forever.

He also popularized the wah-wah pedal, and was instrumental in developing the use of amplified feedback as a desirable technique.

He was only on top for four years, putting out four records, but the out-takes and orchestrated jam sessions have led to an additional 12 albums, plus all the live bootlegs that have already been released.

It’s frightening to think about what Hendrix could have achieved if he hadn’t died prematurely.

Born on November 27, 1942, he was only 27.

I space off how all these rock-n-rollers manage to get themselves dead, so here is the short version on Hendrix. He aspirated on his own vomit and died of asphyxia.

Still living a dream.

Still living a dream.

He was in London hanging out with his girlfriend Monika Dannemann, and was having trouble sleeping around 4:00 a.m., after having taken amphetamines earlier in the evening, so in typical Hendrix fashion, he took nine of Dannemann’s Vesparax sleeping pills, which are intended to be taken in half-tablet increments, so Hendrix took around 18 times the recommended dosage of this powerful German sedative.

Good night sweet prince…

“Peace, happiness, and all that other good shit.”

[Jimi Hendrix – Let Me Move You]

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A Unique Farewell to Pope Benedict XVI

The pope's helicopter flies past St. Peter's Basilica in Vatican City as Benedict heads into retirement.

The pope’s helicopter flies past St. Peter’s Basilica in Vatican City as Benedict heads into retirement.

As the sun set in Rome Thursday, so did Pope Benedict XVI’s reign over the world’s 1.1 billion Catholics.

It was oddly captivating to watch this man’s journey into retirement.

Certainly none of us on this mortal planet have ever witnessed a pope opt out prior to his expiration.

You would have to go back 600 years to find the last instance when a pope retired. It was the year 1415, which is 77 years before Christopher Columbus even discovered the New World.

Prior to his departure from the Vatican, Benedict, 85, met with his cardinals one last time to urge them to work in unity as they selected his successor, and pledged his “unconditional reverence and obedience” to what will be the 266th pope.

Pope Benedict XVI.

Pope Benedict XVI

Benedict then greeted more than 100,000 people in St. Peter’s Square for one last official address, and thanked the faithful for their support, telling well-wishers that he was beginning the final stage of his life as “simply a pilgrim.”

Tears were seen streaming down countless faces as the pontiff boarded an Italian government helicopter to make the brief journey to Castel Gandolfo, the traditional papal summer residence, located 15 miles south of Rome.

Bells chimed in tribute at the Vatican, an honor usually reserved for the selection of a new pope, as Benedict flew above Rome’s skyline.

Crowds quickly became visible on rooftops as the news coverage followed the pope aloft, where signs bid “His Holiness” wishes of thanks and farewell.

Seeing the city this way and the events unfolding made me think about what might be comparable by American standards, but there is nothing. The United States is just too damn young.

New York City, if I was being generous, is 389 years old (settled in 1624 as a trading post).

The Colosseum.

The Colosseum.

They have coffee older than that in Rome.

It’s the birthplace of western civilization, and dates to 753 BC.

That’s 2,377 years before New York City was a wet dream.

I thought it made for an interesting juxtaposition, that as soon as the pope’s journey ended, the remainder of the day in America was spent worrying about “budgetary sequestration” due to gridlocked government.

The U.S. is only 237 years old. Have we already seen our apex and are in decline?

It’s hard to imagine what America might look like in 2,000 years – but Rome has already come all that way.

The Vatican, the Colosseum, and Rome’s densely populated metropolis gave the day’s papal events a sense of time and propriety.

Castel Gandolfo.

Castel Gandolfo.

Bells tolled anew in Castel Gandolfo, where the central piazza was jammed with people hoping to catch a final glimpse of Benedict as pope.

From his balcony, the holy man in residence, already looking slightly relieved, told the roaring crowd how joyful this day was, and that he was happy to be “surrounded by the beauty of the Creator.”

Until his private residence is completed on the Vatican grounds, Benedict will stay in this hilltop fortification that overlooks Lake Albano.

Back at the Vatican, attention now shifts to debating the resigned pontiff’s legacy and selecting his replacement, as Benedict leaves in his wake a church internally divided and mired in controversy.

Many have voiced there was a lack of governance under Benedict, and that he never grew comfortable with the specter of power that came from being the pope.

He certainly was not prepared to handle the Roman Catholic clergy’s sex abuse scandal.

Benedict's helicopter as it departs Vatican City Thursday.

Benedict’s helicopter as it departs Vatican City Thursday.

While it may have been embarrassing for Benedict to learn of these graphic abuses, and certainly uncomfortable to address those responsible in his church, all of that pales in comparison to those that were innocent victims of these supposed role models.

Instead of showing contrition or sympathy, Benedict chose to lower his head and implement a more conservative doctrine, hoping that its interpretation would signify sorrow.

This was neither effective nor sufficient.

There also was the Vatican documents scandal, where the leaking of sensitive documents exposed power struggles and allegations of corruption inside the Vatican.

In fact on the last day of Benedict’s papacy, the Vatican confirmed reports that it had ordered wiretaps on the phones of some Vatican officials as part of the leaks investigation.

I am not Catholic, nor am I a big fan of organized religion. It operates on a profit margin and has a story to sell, especially to the downtrodden that seek explanation and comfort.

There are few organizations that have perpetrated more heinous acts than those attributed to the church.

Under God’s name the flock has been fleeced, people have been unjustly persecuted, many have been killed, and wars waged.

Now the Catholic Church is associated with terms like sexual predator, pedophile, conspiracy, coercion, and obstruction of justice.

When I hear the word religion it’s hard not to immediately associate the word hypocrisy soon after.

At its core I think religion is a positive concept, but the institution fears a loss of power, and certainly the loss of money, and worries about becoming marginalized.

It should come as no surprise that the church would say anything, and fight violently in order to survive.

A cardinal arrives at the Vatican Monday to begin the work of electing a new pope.

A cardinal arrives at the Vatican Monday to begin the process of nominating a new pope.

The cardinals began meeting today at the Vatican, where they are expected to spend a week getting to know one another better and becoming comfortable with each others’ company.

The expectation is that a papal conclave will be called by the College of Cardinals next week in order to elect a new Bishop of Rome.

As Kurt Vonnegut would say, “So it goes.”

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Budgetary Sequestration to Further Marginalize Republican Party

Chief obstructionists in charge, from left: Wynken (Mitch McConnell), Blynken (John Boehner, and Nod (Eric Cantor).

Chief obstructionists in charge, from left: Wynken (Mitch McConnell), Blynken (John Boehner, and Nod (Eric Cantor).

I find it brazenly stupid that after the Republican Party had its ass handed to it in the 2012 election cycle, it now wants to give the high hat to President Obama by failing to compromise on deficit reduction, thus allowing $85 billion in automatic spending cuts to take effect.

President Obama and Mitt Romney vigorously debated the question of how best to move America forward during the 2012 general election, and voters convincingly sided with the incumbent’s proposed solution.

There isn’t a respectable accounting or budgetary agency that believes the United States can hit its deficit reduction number by only cutting spending or by only raising taxes.

It was Paul Ryan, R-Wis., and his crew that tacked this sequestration language onto the failed agreement by a joint congressional committee, which was unable to find $1.2 trillion in cuts.

Romney and Ryan double-talked throughout the whole campaign about closing some theoretical tax loopholes, but refused to identify any specifically, because they don’t want business to pay its fair share.

They’re not going to say it, but Republicans want the burden of debt left upon the individual, so big business can continue to reap its unjust rewards.

President Obama has put forth more than a fair compromise measure. It balances significant cuts in spending with moderate revenue increases from raising taxes on the wealthy and closing some favorable tax loopholes on businesses.

It is absolute crap that Republicans want to declare that allowing the Bush tax cuts to expire qualifies as agreed to revenue increases.

Those tax cuts were irresponsible to begin with and should never have been instituted considering America was fighting two wars. Plus allowing those to expire was part of the Democrat’s argument during the election.

This was voted on nationally and a majority of Americans agreed with it.

The Republicans just don’t want to give Obama another victory, for fear it would build momentum, and further harm its party’s prospects in the 2014 mid-term elections.

This is the exact same gamesmanship and flawed strategy that showed Americans the Republicans were not fit to hold the White House or control the U.S. Senate.

President Obama has noted that these automatic cuts are akin to a “meat-cleaver approach” that will result in harming the nation’s military preparedness and will chop federal spending in areas of education, medical research and energy.

Senate Minority Leader Mitch McConnell, R-Ky., has already insisted he would not join in any last-minute efforts to stop the cuts.

The problem with the current Republican leadership is they are either too stupid or such poor sports that they refuse to recognize they lost.

This is one more example of the cowardly nature and low principles governing the current Republican Party.

They don’t want to negotiate or compromise. They say they do, but Republicans have no interest in sitting down at a table and hammering out a solution that is best for America.

The only card the GOP has to play is obstructionism. They already have shown a lack of compassion and understanding for minorities, women, young people or those with alternative lifestyles.

There aren’t enough 40 and older white males left to support the party’s master race plan, so the best idea Speaker Boehner, R-Oh., Minority Leader McConnell and House Majority Leader Eric Cantor, R-Va., can come up with is to allow these forced cuts and hope that the economy and unemployment becomes bad enough that people will forget the election results and look to Republicans to try and repair the damage they are responsible for causing.

That’s just fucked up flawed thinking, and so narcissistic. The Republicans are again only thinking of themselves, instead of considering what is best for America.

In Kentucky alone, there are projections of 21,484 job loses; $20.1 million will be cut from the budget of the Army National Guard and Reserve; $7.7 million in medical research grants would disappear; and $2.1 million would be cut from early childhood care.

I suppose if Sen. Rand Paul, R-Ky., and Sen. McConnell want to wear placards around their necks that say they supported those kinds of destructive cuts then go for it.

I wouldn’t want to be the poor legislative correspondents in their offices that have to field the angry phone calls and letters.

McConnell is up for re-election next year.

Rumor is actress and Kentucky Wildcat faithful Ashley Judd is giving serious consideration to challenging ol’ sourpuss.

Sitting by and allowing these sequestration cuts to be actualized is quite a gamble by McConnell.

We’re talking firemen, teachers, police, and defense workers who are going to lose jobs, and money that goes to child care and government-funded social programs that will be lost.

It blows my mind that Republicans want to be the party that victimized the defenseless, first responders, and our troops.

I guess it’s like that “family values” propaganda. Republicans are all about preaching a good game until they actually have to practice.

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2013 Oscars Fall Flat

Louisville native Jennifer Lawrence after winning her Best Actress Oscar.

Louisville native Jennifer Lawrence after winning her Best Actress Oscar.

Kentucky scored some love last night during the 85th Academy Awards, with Louisville native Jennifer Lawrence taking home the Best Actress Oscar for her portrayal in “Silver Linings Playbook.”

Sure Jennifer took a stumble ascending the steps to receive her award, but she handled the incident with grace and humor.

Not to mention, did you see that dress; it poofed out to the size of Haiti. No wonder the poor woman stepped on it trying to get up the steps.

“You guys are just standing up because you feel bad that I fell, and that’s really embarrassing, but thank you,” said Lawrence after taking the podium.

It was great to see her initial reaction. Lawrence appeared genuinely stunned to have won, which is understandable. The girl is but 22 years old, and it seemed all but a done deal that this award was going to Jessica Chastain for “Zero Dark Thirty,” but not this night.

Sadly, this was about the only example of any youthful energy in the awards ceremony.

As I joked with a friend on Facebook during the telecast, this year’s annual rendition was like an awards show for dead people.

It was seriously slow, heavy-handed and too weighted down by the old guard.

And the singing…

Please God, someone stop them from singing one more show tune! My ears are bleeding.

I know this was a year to celebrate movie tunes, but for those of us that strongly dislike musicals, it was unbelievably painful.

I declare a pox upon musicals!

Not only did they sing basically all the Best Original Song nominees, there were tributes to past musicals, “Les Misérables” was up for Best Picture, so it was a song vehicle waiting to happen.

Even celebrating five decades of James Bond required a song (actually two if you count Adele’s singing of the winning tune, “Skyfall”).

Though I must admit, Shirley Bassey’s rendition of “Goldfinger” was about the best song of the night, next to Jennifer Hudson’s remarkable vocals on “And I Am Telling You I’m Not Going.”

Still Bassey couldn’t save the lame tribute that was given to the Bond series.

In fact, lameness tended to be a theme throughout the evening.

First year host, Seth MacFarlane, wasn’t awful, but he was painful.

Oscar host Seth MacFarlane.

Oscar host Seth MacFarlane.

Known as the creator of “Family Guy,” MacFarlane proved he could wear a tux, sang and danced better than expected, but had that insipid grin plastered across his face all night.

He looked like a grown Peter Brady, from “The Brady Bunch,” who had gone to college and joined a fraternity, and not a good one.

The opening was dreadful, where MacFarlane was joined by William Shatner via video, reprising his role as Captain James T. Kirk, and supposedly had traveled back in time to help MacFarlane not ruin the Oscars.

This was bad, for both of them, and it lasted for like 15 minutes.

Watching MacFarlane sing “The Boob Song,” where he rattled off all the actresses, and their movies, where he got to see them naked, was rude at best.

My personal low point came when MacFarlane made his Lincoln joke.

He was trying to have some fun with the difficulty Daniel Day-Lewis had in characterizing his Best Actor role, and quipped that, “I would argue however that the actor who really got inside Lincoln’s head was John Wilkes Booth.”

This drew immediate boos from the crowd, to which MacFarlane added, “Really, 150 years and it’s still too soon. I’ve got some Napoleon jokes coming up. You guys are going to be so mad. Oh My God!”

It’s not like I wasn’t expecting this from MacFarlane. It’s what he does and he is very successful at it, but it is a brand of humor that makes people uncomfortable, and is beneath the Oscars.

That being said, hosting this event is a monster. It’s almost an unwinnable affair. Three-plus hours of overly orchestrated, canned banter, before the biggest names in show business.

It’s hard not to come off as lame on that stage, and MacFarlane was not lame.

He has talent, but maybe this wasn’t the best place to showcase it.

One last bit about the singing, because that shit is still annoying me today.

Whoever thought it was a good idea to put Russell Crow in the unfortunate position of having to sing anywhere near the same stage as Jennifer Hudson should have his or her judgment examined.

Also, during the In Memoriam segment, that rendition by Barbara Streisand of “The Way We Were,” not so great.

OK I’m done ranting about musicals, but this is a fine spot to mention cosmetic surgery. I get this was the movie awards, so appearances and vanity count, but damn there was some desperate plastic surgery on display last night. Most noticeably John Travolta.

As for the awards themselves, balance was the theme for the evening. No movie dominated, as a different film won in each of the six major categories.

“Life of Pi” won the most awards, four, including Best Director, for Ang Lee.

“Argo” won for Best Picture, and took home two other awards. “Les Misérables” also won three.

Under the heading of least suspenseful winner, Daniel Day-Lewis took home the Best Actor statue for his portrayal of our 16th president in “Lincoln.”

I felt kind of bad for the other blokes in this category. They all were deserving, but never stood a chance.

“Django Unchained” took home two big statues, for Best Original Screenplay and Best Supporting Actor, as Christoph Waltz won for a second time in a Quentin Tarantino film.

I was surprised the newest James Bond film, “Skyfall,” not only was nominated for five awards, but won two. What a relief to see Adele complete her world domination over the past two years and win the one thing she hadn’t taken home yet.

When it did finally come time for the Best Picture award, out came smiling Jack Nicholson. Is it just me or does Jack appear to be morphing into Don Rickles?

The production team for "Argo," from left, Grant Heslov, Ben Affleck, and George Clooney.

“Argo’s,” production team: from left, Grant Heslov, Ben Affleck, and George Clooney.

Nicholson really only was there to introduce First Lady Michelle Obama, who read the nominations via video from the White House, and crowned “Argo.”

I do want to give a shout out to Ben Affleck, who produced, directed and starred in “Argo.” He was snubbed for a nomination in the Best Director category, but took home the one that counts.

He is a humble guy and it was great to see him receive some well-deserved recognition.

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